We bring to life subjects that illustrate the impact our students, teaching, research and graduates make in the world.
The Stand exists to unlock the knowledge and expertise inside the 精东传媒 of 精东传媒 (UOW), telling stories about our people and their accomplishments that inform, educate and inspire. This magazine was born out of a renewed sense of place, purpose and values that will guide the 精东传媒 in fulfilling its role in exploring how to resolve society’s large and complex social, environmental and economic challenges.
We believe education is one of the most powerful transformative forces on communities and individuals. It opens minds and helps people find purpose, meaning – and solutions for the world’s most pressing challenges.
This is our unified story – a story that draws on our past, understands the present, and looks to the future.
Articles
Hannah Diviney: Changing the narrative from page to screen
鈥淚'm like a computer with too many tabs open,鈥 laughs Hannah Diviney. The description suits the 25-year-old writer, actress, and disability advocate who graduated with a Bachelor of Arts (Creative Writing) and Bachelor of International Studies from UOW in 2021.
The power of writing and reading
Catherine McKinnon, Shady Cosgrove and Hayley Scrivenor share the insights and inspirations they have gained through reading and the influence it has had on their own creative writing.
Insight into Kumi Taguchi's whirlwind career
For someone like Kumi Taguchi to consider her time at the 精东传媒 of 精东传媒 (UOW) as 鈥渢he best days of her life鈥 is a glowing review.
The importance of the arts
Geoff Morrell鈥檚 career is rare. He is among a small cohort of actors to make a career almost exclusively on the Australian screen, with more than 80 screen credits to his name.
Capturing the beauty and pain of motherhood
At the age of 31, Dr Emma Darragh started over. Her youngest child was in kindergarten, her marriage had ended, and she was looking for her next chapter, so to speak.
The rise of reboots, remakes and retelling true stories
Between Mean Girls, Wonka and Oppenheimer, you would be forgiven for asking the question: when was the last time a movie was completely new and original?